p. 1138−1162
2356-8550
Vol.42/No.No 5
p. 1163−1178
2356-8550
Vol.42/No.No 5
p. 1179−1192
2356-8550
Vol.42/No.No 5
p. 1193−1214
2356-8550
Vol.42/No.No 5
p. 1215−1231
2356-8550
Vol.42/No.No 5
p. 1232−1241
2356-8550
Vol.42/No.No 5
p. 1242−1269
2356-8550
Vol.42/No.No 5
p. 1270−1293
2356-8550
Vol.42/No.No 5
between the main definition of a museum and the emerged museum buildings, in order to achievethe paper main objectives, data presented traces the history of museums, first by noting theetymology of the word museum and its derivatives, next by describing the private collectingconducted in ancient and medieval times, reviewing the development of modern public museumsfrom the Renaissance to the present day, and finally keeping shedding the light on the role oftechnology on the modern development and transformation of museums, the functionalities of thetraditional typologies and the evolution of new ones, the paper hypothesis to be tested is: Thehistorical target of museums had been subjected to many modifications due to the technological,political and social modifications that have altered the general mission of the museum as the houseof collections, the conclusion of the paper would be showing whether the actual mission ofmuseums today is still taken into consideration within the new typologies as well as deriving theattained result after all the presented information to derive a general result proving the hypothesisstated, architecture is a clear reflection of the society, so it is subjected to dramatic changes,therefore it is not appropriate to design today in the manners, ideas, and believes of yesterday.]]>
p. 1294−1316
2356-8550
Vol.42/No.No 5
p. 1317−1335
2356-8550
Vol.42/No.No 5